\header {
mutopiatitle = "27. Greensleeves to a Ground with Division"
title = \mutopiatitle
subtitle = "The Second Part of the Division-Violin"
mutopiacomposer = "Anonymous"
composer = "Anonymous"
mutopiainstrument = "Violin"
source = "Facsimile from 1705 edition (4e) of Playford's Division Violin (second part), Royal College of Music, London"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Allen Garvin"
maintainerEmail = "agarvin@tribalddb.com"
lastupdated = "2009/Dec/08"
filename = "division-violin-two-27.ly"
footer = "Mutopia-2009/12/15-1730"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.10.3"
\include "english.ly"
violin = \relative c'' {
\key g \minor
\override Staff.TimeSignature #'style = #'single-digit
\time 3/2
\clef "treble"
\repeat "volta" 2 { % ** variation 1
\mark \markup { \circle "1" }
bf2 c4 d2 d4 | c2 a4 f2. |
g4. a8 bf4 c d bf | a2 fs4 d2. | \break
bf'2 c4 d4. c8 bf4 | c2 a4 f4. g8 a4 |
bf4. a8 g4 a4. g8 fs4 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 2
\mark \markup { \circle "2" }
bf4. c8 d4 d4. ef8 d4 | c4. d8 c4 a4. bf8 c4 |
bf4. a8 bf4 g4. a8 bf4 | a4. bf8 a4 fs4. g8 a4 | \break
bf4. c8 d4 d4. ef8 f4 | c4. d8 c4 a4. bf8 c4 |
bf4 a g fs4. \set suggestAccidentals = ##t e8 \set suggestAccidentals = ##f fs4 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 3
\mark \markup { \circle "3" }
f'2 f4 f ef d | c2 c4 a bf c | bf2 g4 g a bf | a2 a4 fs g a | \break
f'2 f4 f ef d | c2 c4 a bf c | d c bf c a2 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 4
\mark \markup { \circle "4" }
d'4 bf g d' bf g | c a f c' a f | d'4 bf g d' bf g | a fs d a' fs d | \break
f' d bf f' d bf | c a f c' a f | d' bf g a fs d | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 5
\mark \markup { \circle "5" }
f' bf, g' f4. ef8 d4 | c a f c' c, ef'8[ f] | g4 g, a' bf a g | fs d a d d4. ef8 |\break
f4 bf, g' f4. ef8 d4 | c a f c' c, d'8[ c] | bf4 a g a fs d | g2.( g) | \break
}
\pageBreak
\repeat "volta" 2 { % ** variation 6
\mark \markup { \circle "6" }
g4 bf g d'8[ c bf a] g4 | f a f c'8[ bf a g] f4 |
g bf g d'8[ c bf a] g4 | d fs d \set suggestAccidentals = ##t a'8[ g fs e] \set suggestAccidentals = ##f d4 |\break
bf' d bf f'8[ ef d c] bf4 | f a f c'8[ bf a g] f4 |
d'8[ c bf a] g4 a8[ g fs \set suggestAccidentals = ##t e] \set suggestAccidentals = ##f d4 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 7
\mark \markup { \circle "7" }
bf4 g a bf c d | a f g a bf c | bf g a bf c d | a2 fs4 d2. | \break
d'4 bf c d ef f | a, f g a bf c | bf g bf a fs d | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 8
\mark \markup { \circle "8" }
g8[ a bf c d g,] g'[ fs g a bf g] | g2 f4 f2. |
g,8[ a bf c d g,] g'[ fs g a bf g] | fs2 d4 d2. | \break
bf8[ a bf c d ef] f[ g a f g a] | f4 c c c4. d8 ef4 |
bf a g fs4. \set suggestAccidentals = ##t e8 \set suggestAccidentals = ##f fs4 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 9
\mark \markup { \circle "9" }
bf8[ a bf c d c] bf[ a bf c d c] a[ g a bf c bf] a[ g a bf c bf] |
bf[ a bf c bf a] g[ f g a bf g] a[ g a g fs \set suggestAccidentals = ##t e] d[ e fs g fs d] | \break \set suggestAccidentals = ##f
bf'[ a bf c d c] bf[ a bf c d c] | c[ bf c d c bf] a[ g a bf c a] |
bf[ a bf c d c] c[ bf a g a fs] | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 10
\mark \markup { \circle "10" }
g8[ a] bf4 g bf8[ c] d4 g, | f8[ g] a4 f a8[ bf] c4 f, |
g8[ a] bf4 g bf8[ c] d4 g, | d8[ \set suggestAccidentals = ##t e] \set suggestAccidentals = ##f fs4 d fs8[ g] a4 d, | \break
bf'8[ c] d4 bf d8[ ef] f4 bf, | f8[ g] a4 f a8[ bf] c4 f, |
g'8[ a] bf4 g fs8[ g] a4 fs4 | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 11
\mark \markup { \circle "11" }
bf4 bf bf bf, bf bf | f' f f f,4. g8 a4 |
g' g g g,4. a8[ bf c] | d4 d d fs, d d | \break
bf'' bf bf bf,4. c8[ d ef] | f4 f g a4. g8 f4 |
bf a g fs4. \set suggestAccidentals = ##t e8 \set suggestAccidentals = ##f fs4 | g2.( g) | \break
}
\pageBreak
\repeat "volta" 2 { % ** variation 12
\mark \markup { \circle "12" }
bf,8[ d d d d d] bf8[ d d d d d] | a[ c c c c c] a[ c c c c c] |
g[ bf bf bf bf bf] g[ bf bf bf bf bf] | f[ a a a a a] d,[ a' a a a a] | \break
d[ f f f f f] bf,[ f' f f f f] | a,[ c c c c c] f,[ c' c c c c] |
g[ bf bf bf bf bf] d,[ a' a a a a] | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 13
\mark \markup { \circle "13" }
g'4 f8[ ef d c] bf2 g4 | f'4 ef8[ d c bf] a2 f4 |
g'4 f8[ ef d c] bf2 g4 | d'4 c8[ bf a g] fs2 d4 | \break
bf''4 a8[ g f ef] d2 bf4 | f' ef8[ d c bf] a2 f4 |
bf8[ c d \set suggestAccidentals = ##t e \set suggestAccidentals = ##f fs g] a[ g fs d e \set suggestAccidentals = ##f fs] | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 14
\mark \markup { \circle "14" }
bf,4 g d'8[ c] bf4 g c8[ bf] | a4 f c'8[ bf] a4 f d'8[ c] |
bf4 g d'8[ c] bf4 g a8[ g] | fs4 d a'8[ g] fs4 d f'8[ ef] | \break
d4 bf f'8[ ef] d4 bf c8[ bf] | a4 f c'8[ bf] a4 f d'8[ ef] |
f4 d g fs2 \set suggestAccidentals = ##t e8[ \set suggestAccidentals = ##f fs] | g2.( g) | \break
}
\repeat "volta" 2 { % ** variation 15
\mark \markup { \circle "15" }
bf,4 f' ef d c bf] | f c' bf a g f |
g d' c bf a g | d' a' g fs e d | \break
bf f' ef d c bf | f c' bf a g f |
g d' c8[ bf] a[ g fs \set suggestAccidentals = ##t e \set suggestAccidentals = ##f fs d] | g2.( g) | \break
}
}
groundbass = \relative c' {
\key g \minor
\override Staff.TimeSignature #'style = #'single-digit
\time 3/2
\clef "bass"
\repeat "volta" 2 {
bf2. bf, | f' f, | g g' | d( d) | bf( bf) | f'( f) | g d | g,( g) |
}
}
\book {
\score {
\context GrandStaff <<
\context Staff = "one" <<
\set Staff.instrumentName = \markup { "Violin" }
\violin
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 2)
}
}
}
\score {
\context GrandStaff <<
\context Staff = "one" <<
\set Staff.instrumentName = \markup { \column { Ground Bass } }
\groundbass
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 110 4)
}
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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