\header {
filename = "bonne_heure-song.ly"
enteredby = "Peter Chubb"
composer = \markup {\column {Anonymous}{ c.1470}}
year = "c. 1470"
title = "Il Est de Bonne Heure Né"
mutopiatitle = "Il Est de Bonne Heure Né"
mutopiacomposer = "Anonymous"
mutopiainstrument = "Voice (SATB)"
mutopiadate = "c. 1470"
maintainer="Peter Chubb"
maintainerEmail="mutopia@chubb.wattle.id.au"
style="Renaissance"
lastupdated="2009/Aug/5"
copyright = "Public Domain"
source = "Unknown"
footer = "Mutopia-2009/08/05-198"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%{
I found this as a recorder arrangement for descant, treble,
tenor and bass, in a 1937 Schott edition.
I've changed the pitches to suit voice, added phrase marks,
fitted words to the music (the edition I worked from had
the words only on the tenor part), and added a translation
(courtesy of Francois Montagner).
%}
%{
$Log: bonne_heure-song.ly,v $
Revision 1.8 2009-08-05 09:23:14 peterc
Updated to 2.12.2. New \lyricsto allowed simpler score; but had to
convert from TeX-style accents to UTF. Hope it all worked!
Revision 1.7 2004-04-24 21:48:29 peterc
Changed version to 2.2.0
Revision 1.6 2004/04/24 10:28:10 peterc
Updated to Lilypond 2.2; fixed translation printout.
Revision 1.5 2002/02/28 22:20:52 peterc
Added copyright. Sent to Mutopia.
Revision 1.4 2002/02/28 22:17:27 peterc
Fiddled translation to fit;
Revision 1.3 2002/02/24 09:17:33 peterc
Updated to current LilyPond; added MIDI output.
%}
%{
He was born at a lucky time,
He who holds his lady in a field
Upon the sweet grass.
My sweetest friend,
God grant you good-day,
What is in your mind,
Please tell me what !
Faith, my dear friends,
I have thought it all over,
I do not love you a bit.
%}
\version "2.12.0"
#(set-global-staff-size 18)
global = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'self-alignment-X = #RIGHT
\key a \minor
\time 2/2
\partial 2
\skip 2*13
\time 3/2
\skip 1*1
\mark \markup {\italic {"Fine"}}
\bar "||"
\skip 2*1
\time 2/2
\skip 2*6
\time 3/2
\skip 2*3
\time 2/2
\skip 2*19
\bar "||"
\mark \markup {\italic {"D.C. al Fine"}}
}
sopOne= \relative c'' {
\bar "" \tempo 2=100
\partial 2
a4 a |
b b c c |
b2 \breathe a4 a|
b b c c |
b 2 \breathe e4 e |
%5
d4.( b8) c4( b~ |
b8[ a)] a2( gis4) |
a1
}
sopTwo=\relative c'' {
c4 c |
b2 a |
b4 c d c |
%10
a( e'2) d4 |
c1 \breathe c4 c |
b2 a |
b c4 d |
c4( b8[ a)] gis2 |
%15
a \breathe c4 c |
b b a a |
b2 \breathe c4 c |
d8[ d d d ] c4.( b16[ a] |
g4) g b b |
%20
c e2 d4 |
c2
}
soprano = {\sopOne\sopTwo}
altoOne = \relative c'' {
\partial 2
e4 e |
g g a a |
e2 \breathe e4 e |
g g a a |
%5
e2 \breathe e4 e |
g g a( e |
a f) e2~ |
e1
}
altoTwo=\relative c''' {
a4 a |
g2 e |
%10
b4 a b c |
d( a) b2 |
e1 \breathe a4 a |
e2 e |
d e4 d |
%15
e2 e |
e \breathe a4 a|
e e e e |
g2 \breathe a4 a |
g g a a |
%20
b b g e |
a a gis4.( fis8) |
a2
}
alto = {\altoOne\altoTwo}
tenorOne = \relative c' {
\partial 2
r2 |
r2 a4 a |
b b c c |
b2 \breathe a4 a |
b b c c |
%5
b2 \breathe e4 e |
c a b2 |
a1
}
tenorTwo=\relative c' {
a4 a |
b2 c |
d4 c b a |
%10
a2 gis |
a1 \breathe a4 a |
b2 c |
d c4 b |
a2 b |
%15
a \breathe a4 a |
b b c c |
b2 \breathe a4 a |
b b c c |
b b e e |
%20
c a b2 |
a2
}
tenor = {\tenorOne\tenorTwo}
bassOne = \relative c' {
\clef "bass"
\partial 2
a4 a |
e e a, a|
e'2 \breathe a4 a |
e e a, a |
%5
e'2 \breathe c4 a |
b2 a4 e'( |
f a e2) |
a,1
}
bassTwo=\relative c {
a4 a |
e'2 a |
%10
g4 a g a |
d,( c) b2 |
a1 \breathe a4 a |
e'2 c |
b a4 b |
c( a) e'2 |
%15
a, \breathe a4 a |
e' e c a |
e'2 \breathe c4 c |
b8[ b b b] a2 |
e'4 e e e |
%20
a, a( e'2) |
a,2
}
bass= {\bassOne\bassTwo}
words = \lyrics {
Il est de bonne heu -- re né,
Qui tient sa dame en un pré,
Sur l'her -- be __ jo -- li -- e
Ma trés douce a -- mi -- e,
Dieu vous doint bon -- jour,
Qu'a -- vez en pen -- sé,
di -- tes qu'a -- vez vous,
Par ma foy mon bel a -- my,
Le con -- seil en est tout pris, __
Je ne vous ai -- me mi -- e.
}
sopstaff = \context Staff ="Soprano" <<
\set Staff.instrumentName = "S"
\global
\context Voice = sop \soprano
\lyricsto sop \words
>>
altstaff = \context Staff ="Alto" <<
\set Staff.instrumentName = "A"
\global
\transpose c' c \context Voice = alto \alto
\lyricsto alto \words
>>
tenstaff = \context Staff="tenor" <<
\set Staff.instrumentName = "T"
\clef "G_8"
\global
\context Voice = tenor \tenor
\lyricsto tenor \words
>>
bassstaff = \context Staff="bass" <<
\set Staff.instrumentName = "B"
\global
\context Voice = bass \bass
\lyricsto bass \words
>>
% This prints out the full score, for singing to.
\score {
\context ChoirStaff <<
\sopstaff
\altstaff
\tenstaff
\bassstaff
>>
\layout {
indent = 0.0\mm
}
}
translation = \lyricmode {
<<
\new Lyrics { "He was born at a lucky time,"}
\new Lyrics { "He who holds his lady in a field" }
\new Lyrics { "Upon the sweet grass." }
>>
<<
\new Lyrics { "My sweetest friend," }
\new Lyrics { "God grant you good-day," }
\new Lyrics { "What is in your mind," }
\new Lyrics { "Please tell me what !" }
>>
<<
\new Lyrics { "Faith, my dear friend,"}
\new Lyrics { "I have thought it all over," }
\new Lyrics { "I do not love you a bit." }
>>
}
% First print out a practicestaff, then a translation.
\score {
\new GrandStaff \with { fontSize = #-2 \override StaffSymbol #'staff-space = #(magstep -2)
} <<
\context Staff ="RH"<<
\global
\context Voice = "sop" {\voiceOne\soprano}
\context Voice = "alt" {\transpose c' c {\voiceTwo\alto}}
>>
\context Staff ="LH" <<
\clef "bass"
\global
\context Voice = "tenor" {\voiceOne\tenor}
\context Voice = "bass" {\voiceTwo\bass}
>>
>>
\header { piece = \markup { \italic {Piano Practice Staff}}}
\layout{
indent = 0.0\mm
}
}
\score {
\translation
\header { piece = \markup \column {\line { \italic \bold { Translation}}
\line {Courtesy of Francois Montagner}}
}
\layout{
indent = 0.0\pt
line-width = 10.0\cm
\context{
\Score
\remove "Bar_number_engraver"
}
}
}
% For MIDI output
\score {
\context StaffGroup <<
\global
\context Staff = "sop" {\sopOne\sopTwo\sopOne}
\context Staff = "alt" {\altoOne\altoTwo\altoOne}
\context Staff = "tenor" \transpose c' c {\tenorOne\tenorTwo\tenorOne}
\context Staff = "bass" {\bassOne\bassTwo\bassOne}
>>
\midi {
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
xunsuba.com.cn
uuudu.com.cn
wdjp.com.cn
mclz.net.cn
sorter.org.cn
www.koubu8.net.cn
howbon.com.cn
jiaba4.net.cn
supin4.net.cn
huimu3.net.cn