\version "2.7.39"
\header {
title = "Nuż my dziś krześcijani"
subtitle = "Anonymus, Kancjonał staniątecki"
opus = "1586"
mutopiatitle = "Nuż my dziś krześcijani (Polish Christmas Carol)"
mutopiacomposer = "Anonymous"
mutopiapoet = "Anonymus"
mutopiainstrument = "Voice (SATB)"
source = "Kancjonał staniątecki"
style = "Renaissance"
copyright = "Public Domain"
maintainer = "Till Rettig"
lastupdated = "2006/November/15"
footer = "Mutopia-2006/12/01-856"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
#(set-global-staff-size 18.5) #(set-default-paper-size "a4")
%#(set-default-paper-size "letter") #(set-global-staff-size 18)
\paper{
%left-margin = #20
ragged-last-bottom = ##f
print-page-number = ##f
%bottom-margin = #50
%between-system-padding = #15
%#(define bottom-margin (* 2 cm))
after-title-space = #1
between-title-space = #4
}
global = {
\key g \minor
\time 2/2
\skip 1*12 \bar "||"
\skip 1*8 \bar "|."
}
sopMusic = \relative c'' {
\set Staff.instrument = "S"
\set Score.measureLength = #(ly:make-moment 4 2)
g2 b a g | \slurDotted fis( g) a1 | g2 b a g | \slurDotted fis( g) a1 |
g2 a g fis g1 s1 | g4 fis g a g2 fis |
g4 fis g a g2 fis | b a g( fis) | g1 g\fermata
}
sopWords = \lyricmode {
\set stanza = "1." Nuż my dziś \set ignoreMelismata = ##t krze -- ści -- ja -- ni, ser -- decz -- nie się ra -- duj -- my \set ignoreMelismata = ##t dnia dzi -- siej -- sze -- go, iż się nim na -- ro -- dził z_czy -- sto -- ści pa -- nień -- skiej Syn Bo -- ga ży -- we -- go.
}
sopWordzwei = \lyricmode {
\set stanza = "2." Na -- ro -- dził się \set ignoreMelismata = ##t w_Be -- tle -- jem, mia -- ste -- czku Da -- wi -- do -- wym w_u -- bo -- gim gma -- chu w_pie -- lu -- szki u -- wi-nio -- ny w_ja -- słe -- czkach po -- ło-żo -- ny u -- ży -- wał __ \skip 2 stra -- chu.
}
sopWorddrei = \lyricmode {
\set stanza = "3."
Je -- mu dziś śpie -- waj -- my, Je -- mu dzię -- ki czyń -- my mó -- wiąc bez mia -- ry. Bądź po -- zdro -- wion Pa -- nie, bądź po -- zdro -- wion Pa -- nie za twe \set ignoreMelismata = ##t da -- ry. A -- men.
}
altoMusic = \relative c'' {
\set Score.measureLength = #(ly:make-moment 4 2)
\set Staff.instrument = "A"
g2 g d d d2. e4 f1 | g2 g d d d2. e4 f1 |
d2 es d d | d1 s1 | d1~ d4 c d es |
d2 d d4 c d es | f2 es b4 c d2 d es d1\fermata
}
altoWords = \lyricmode {
\set stanza = "1." Nuż my dziś krze -- ści -- ja -- ni, ser -- decz -- nie się ra -- duj -- my dnia dzi -- siej -- sze -- go, iż się nam na -- ro -- dził z_czys -- to -- ści pa -- nień -- skiej Syn Bo -- ga ży -- we -- go.
}
altWordzwei = \lyricmode {
\set stanza = "2." Na -- ro -- dził się w_Be -- tle -- jem, mia -- ste -- czku Da -- wi -- do -- wym w_u -- bo -- gim gma -- chu w_pie -- lu -- szki u -- wi-nio -- ny w_ja -- słe -- czkach po -- ło-żo -- ny u -- ży -- wał stra -- \skip 2 chu.
}
altWorddrei = \lyricmode {
\set stanza = "3."
Je -- mu dziś śpie -- waj -- \skip 4 my, Je -- mu dzię -- ki czyń -- \skip 4 my mó -- wiąc bez mia -- ry. Bądź po -zdro -- wion Pa -- nie, bądź po -- zdro -- wion Pa -- nie za twe \set ignoreMelismata = ##t da -- ry. A -- men.
}
tenorMusic = \relative c' {
\set Staff.instrument = "T"
\set Score.measureLength = #(ly:make-moment 4 2)
g2 d' d b \slurDotted a( b) c1 | g2 d' d b | a( b) c1 |
b2 c b a | b1 s1 | b4 a b c b2 a2 | b4 a b c b2 a2 | d2 c g( a) b( c) b1\fermata
}
tenorWords = \lyricmode {
}
bassMusic = \relative c' {
%\set Staff.instrument = "B"
\set Staff.instrument = \markup {
\column { "T"
\line { "B"} } }
\set Score.measureLength = #(ly:make-moment 4 2)
\slurDotted g2 g fis g d( g) f1 | g2 g fis g d( g) f1 |
g2 c, d d g1 s | g4 d g fis g2 d |
g4 d g fis g2 d | b c es( d) g1 g1\fermata
}
\score {
\new ChoirStaff <<
%\new Lyrics = sopranos { s1 }
\new Staff = women <<
\new Voice =
"sopranos" { << \global \sopMusic >> }
>>
\new Lyrics = "sopranos" { s1 }
\new Lyrics = "sopranoszwei"
\new Lyrics = "sopranosdrei"
\new Staff = womena <<
\new Voice =
"altos" { \voiceOne << \global \altoMusic >> }
>>
\new Lyrics = "altos" { s1 }
\new Lyrics = "altoszwei"
\new Lyrics = "altosdrei"
% \new Lyrics = "tenors" { s1 }
\new Staff = men <<
\clef bass
\new Voice =
"tenors" { \voiceOne <<\global \tenorMusic >> }
\new Voice =
"basses" { \voiceTwo <<\global \bassMusic >> }
>>
\new Lyrics = basses { s1 }
\new Lyrics = basseszwei
\new Lyrics = bassesdrei
\context Lyrics = sopranos \lyricsto sopranos \sopWords
\context Lyrics = sopranoszwei \lyricsto sopranos \sopWordzwei
\context Lyrics = sopranosdrei \lyricsto sopranos \sopWorddrei
\context Lyrics = altos \lyricsto altos \altoWords
\context Lyrics = altoszwei \lyricsto altos \altWordzwei
\context Lyrics = altosdrei \lyricsto altos \altWorddrei
% \context Lyrics = tenors \lyricsto tenors \tenorWords
\context Lyrics = basses \lyricsto basses \sopWords
\context Lyrics = basseszwei \lyricsto basses \sopWordzwei
\context Lyrics = bassesdrei \lyricsto basses \sopWorddrei
>>
\midi{\tempo 1=60}
\layout {
indent = #2
\context {
% a little smaller so lyrics
% can be closer to the staff
\Staff
\override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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