\version "2.18.2"
\header {
mutopiatitle = "Six Petites Pièces, No. 2"
mutopiacomposer = "AguadoD"
source = "Mainz: B. Schott"
% source = "Statens musikbibliotek - The Music Library of Sweden"
% http://urn.kb.se/resolve?urn=urn:nbn:se:statensmusikverk-4033
date = "1830"
title = "Six Petites Pièces, No. 2"
composer = "Dionisio Aguado"
instrument = "Guitar"
opus = "Op. 4, No. 2"
style = "Classical"
license = "Creative Commons Attribution-ShareAlike 4.0"
maintainer = "Glen Larsen"
maintainerEmail = "glenl.glx at gmail.com"
footer = "Mutopia-2015/08/14-1786"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #11.9 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2015 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " " \with-url #"http://creativecommons.org/licenses/by-sa/4.0/" "Creative Commons Attribution ShareAlike 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
\layout {
indent = 72\pt
short-indent = 0\mm
}
\header{ piece = \markup{"Tuning: D-A-D-G-B-E"} } % {\italic "6° en Re"}
%%%
%%% First part: MINUET
%%%
mUpperVoice = \relative c'' {
\voiceOne
\slurDown
\key d \minor
\repeat volta 2 {
d8 d16 d d8[ d] d d |
d4 cis r |
bis8 bis16 bis bis8[ bis] bis bis |
bis4 a r |
g8 g16 g16 g8[ g] g g |
2 4 |
f'8([ e]) e([ d]) d([ cis)] |
2 4 |
}
\repeat volta 2 {
8 8[ 8] |
\barNumberCheck #10
16([ cis) d e] \slashedGrace { g8 } f16[ e f g] gis[ a bes a] |
8 8[ 8] |
16([ cis') d e] \slashedGrace { g8 } f16[ e f g] a4 |
d8 d16 d d8[ d] c4 |
4 |
4 |
2 r4 |
}
}
mLowerVoice = \relative c, {
\voiceTwo
\stemDown
\repeat volta 2 {
d2. |
a'2 r4 |
bes2. |
2 c4\rest |
e2 d4 |
cis2 d4 |
a2 a4( |
a4) a d |
}
\repeat volta 2 {
\slurUp
a8 bes a[ bes] a4 |
\barNumberCheck #10
d,2 g'4\rest |
a,8[ bes16( a16]) a8[ bes16( a16]) a4 |
d,2. |
d'2 fis4 |
g4 a bes |
a,2 a4 |
d2 r4 |
}
}
mInnerVoice = \relative c' {
\voiceThree
\stemDown
\slurDown
\repeat volta 2 {
4 |
2 r4 |
d4 d d |
s2 b4\rest |
bes4 bes bes |
s2. |
\stemUp g4 f e( |
e2) s4 |
}
\repeat volta 2 {
\stemDown
\slurUp
s2. |
\barNumberCheck #10
s2. |
s2. |
s2. |
fis'8 fis fis[ fis] a4 |
s2. |
a,8( bes) a8[ gis] a g |
s2.
}
}
%%%
%%% Second part: VALSE
%%%
vUpperVoice = \relative c' {
\voiceOne
\slurDown
\key f \major
\repeat volta 2 {
d16.[^\segno e32] f8 d |
cis16.[ e32] a4 |
g16.[ bes32] a8 g |
f16.[ a32] d4 |
4 8 |
g16.[ a32] bes8 g |
4 8 |
4 s8 |
}
\repeat volta 2 {
a'16.[ b32] a8 a |
gis16.[ b32] d4 |
g,16.[ a32] g8 a8 | % g8 g8 or g8 a8 ? source is not clear
f16.[ a32] d4 |
f,16.[ g32] f8 f |
8^\markup{ \italic glissez }\glissando bes'4 |
d,4 cis16[ e] |
}
\alternative {
{ 4 r8 | }
{ \set Timing.measureLength = #(ly:make-moment 1/4)
8 s8
\set Timing.measureLength = #(ly:make-moment 3/8)
}
}
\key d \major
\repeat volta 2 {
r16 a16([ b]) cis[ d e] |
fis4 e16[ d] |
e4 d16[ cis] |
d4 s8 |
a16\rest a16([ b]) \tuplet 3/2 { cis[ d e] } \tuplet 3/1 { fis([ g) gis] } |
a4 gis16[ a] |
b4 cis16[ b] |
a4 r8 |
r16 a16 gis([ a]) g([ a]) |
fis4 g16[ fis] |
e4 fis16[ e] |
e4 d8 |
\tuplet 3/2 { b16([ cis) dis] } \tuplet 3/2 { e([ fis) g] } \tuplet 3/2 { g([ a) b] } |
d,4 e16[ d] |
\grace { b16[ cis d] } cis4 b16[ cis] |
4 r8 |
R4.
}
\bar "|."
}
vLowerVoice = \relative c, {
\voiceTwo
\repeat volta 2 {
d4. |
a'4. |
cis4. |
d4. |
s4. |
s4. |
e16.[ f32] e8 e |
a,4 s8 |
}
\repeat volta 2 {
a4. |
a4 a8 |
a4. |
a4 a8 |
a4. |
bes8 r8 r8 |
a4. |
}
\alternative {
{ d4 r8 | }
{ \set Timing.measureLength = #(ly:make-moment 1/4)
d4
\set Timing.measureLength = #(ly:make-moment 3/8)
}
}
\repeat volta 2 {
c8\rest r8 s8 |
d,4. |
a'4. |
d,4. |
d4. |
a'4. |
e'4. |
a,4. |
s4. |
d,4. |
ais'4. |
b4. |
s4. |
a4. |
a4. |
d4 r8 |
s4.^\segno |
}
}
vInnerVoice = \relative c {
\voiceThree
\repeat volta 2 {
f4 f8 |
e4. |
\stemDown
e'4 e8 |
d4. |
d16.[ ees32] d8 c |
bes4 bes8 |
s4. |
s4. |
}
\repeat volta 2 {
cis4 cis8 |
d4 d8 |
4 8 |
d4. |
4 8 |
s4. |
f,8 e4 |
}
\alternative {
{s4.}
{ \set Timing.measureLength = #(ly:make-moment 1/4)
s4
\set Timing.measureLength = #(ly:make-moment 3/8)
}
}
\repeat volta 2 {
s4. |
g8\rest 8 |
g8\rest 8 |
g8\rest \stemUp 8 |
s4. |
\stemDown b8\rest 8[ 8] |
c8\rest 8[ 8] |
c8\rest 8[ q8] |
16 g16\rest g8\rest g8\rest |
g8\rest 8[ 8] |
g8\rest 8[ q8] |
fis4. |
g4. |
g8\rest 8[ 8] |
g8\rest 8[ 8] |
s4. |
s4.
}
}
%%%
%%% SYSTEMS
%%%
\score {
<<
\new Staff = "minuet" \with {
instrumentName = #"MINUET."
midiInstrument = #"acoustic guitar (nylon)"
} <<
\clef "treble_8"
\time 3/4
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\context Voice = "mUpperVoice" \mUpperVoice
\context Voice = "mLowerVoice" \mLowerVoice
\context Voice = "mInnerVoice" \mInnerVoice
>>
>>
\layout {}
\midi {
\tempo 4 = 120
}
}
\score {
<<
\new Staff = "valse" \with {
instrumentName = #"VALSE."
midiInstrument = #"acoustic guitar (nylon)"
} <<
\clef "treble_8"
\time 3/8
\mergeDifferentlyHeadedOn
\context Voice = "vUpperVoice" \vUpperVoice
\context Voice = "vLowerVoice" \vLowerVoice
\context Voice = "vInnerVoice" \vInnerVoice
>>
>>
\layout {}
\midi {
\tempo 4 = 100
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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